Rapoceldone stage (Enzo Trigiani)
Rapoceldone ... The scene of one of the cultural centers interest in the town of Carpenedolo ... is the welcome guest of Piazza Europa Network. Boschetti with Severino, director and animator of the society we venture into an interesting dissertation. "City and province - is the beginning of Boschetti has the credit with his actors to give life to a theater Carpenedolo weblog - are infused with the presence of the popular theater, the varied program of signage attracts many fans by giving viewers a variety of companies the possibility of bringing the alternation of the best of their productions. The theater is known to be dialogue with the people, the storyline is a proposal on the stage, a reflection, involving attention and critique, provoke emotions that draw the viewer. The theater is also political: every author from Chekhov to Brecht, from Shakespeare to For, from Goldoni to Beckett, Camus and others in by Fabbri, pose historical, personal, social, which require consideration, causing revulsion, require membership. A mean essentially that you are not strangers to politics. Even the most comical text can be political, as in entertainment and relaxation of the plot is inherent to the assessment behavior, habits, flaws and tics of the characters in their context are the mirror of society itself. " A situation that is housed inside the National Theatre? "Usually People in the theater, putting aside the dispute, the prevailing taste of making theater. The ideological contingencies - is the reflection of Severino Boschetti - are swept away. At the individual's own certainties, all the tension to build the character and fitting with the "politics" to draw attention to himself and his condition, always attentive to the people who participate. " Is there a project of this kind that relates to your theater company. "Yes. Ladies talk politics and in the new production of Rapoceldone 2011, that the choice of "'ve to Nduina who diznà!?" An unpublished text written by Maria Mangano, made popular theater reason yes for recreation and entertainment, but food for thought and discussion. The question that arises from the new show is, can you, or is it just, take advantage of knowledge and friendship of two ladies and MEPs asking them to foster and facilitate economic and bureaucratic? Taking advantage of a lunch at the home of old friends, the mayor and the village priest will use every opportunity to win support in the corridors of power, in spite of their religious and civil liability. We must become indignant or accept the fact that the end justifies the means? Fortunately, the theater, the size of the theater, not make judgments, but to trigger the magical spark that leads to the answer. The direct presence of actors / spectators by virtue of their physical and artistic technique, the excavation of the characters, if well executed by the actors, combined with interesting plots on the rectangle made of boards, bodies and words become "the word of the theater." Guess who's coming to dinner!? Brescia dialect that becomes 'who you Nduina to diznà!? "will be staged premiere at the Teatro Piccolo in Carpenedolo Deodato Laffranchi 30 April to 21 May and 1 to 17, directed by Severino Boschetti between' another, with a short but innovative participation metatheatrical give a pleasant surprise to the public. The actors on stage: Matthew Tomasoni, Claudio Marini, Elena Pennacchio, Marco Pedone, Pierluigi Zaniboni Isabella Menghini, Valeria Bison, Stefano Freato, Kathy Fanelli, Milena Moratti. Stefano Carnevali lighting console. Rapoceldone awaits.
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